tag:blogger.com,1999:blog-11101083802044931882024-03-13T08:59:06.034+09:00YOSHIHIRO KIKUCHIYoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.comBlogger37125tag:blogger.com,1999:blog-1110108380204493188.post-36923446054830471722020-09-19T03:45:00.007+09:002020-09-19T04:02:26.076+09:00 Follow My Instagram and Check the New Projects<p>Follow:</p><p><a href="https://www.instagram.com/ykikuchi.art.music/">https://www.instagram.com/ykikuchi.art.music/</a></p><p><br /></p><p>And check:</p><p>The Jasracs™</p><p><a href="https://thejasracs.bandcamp.com/">https://thejasracs.bandcamp.com/</a></p><p>The Masks</p><p><a href="https://the-masks.bandcamp.com/">https://the-masks.bandcamp.com/</a></p><p><br /></p><p>Copyright Police Records founded as a specialized label for The Jasracs™ is now open for demo submission. Let's play with copyrights which don't belong us! </p><p>NOTE: it's not my label and my project; my friend in Oklahoma, USA runs and does. </p><p><br /></p><p>I wish you a good health! Thanks! </p>Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-39172025120932844592019-04-03T22:44:00.001+09:002019-04-03T23:02:58.081+09:00Solo Exhibition “Super Processor” at AISHONANZUKA Hong KongThe exhibition which is my first solo show in 3 years has finished at AISHONANZUKA Hong Kong.<br />
The exhibition featured my first sculpture and oil paintings.<br />
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About the conceptual thing, read the following description:<br />
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So far, Kikuchi has been making works with his interest in “Language” which is the highest abstraction concept that human being only has at the core, combining with interest in another innate ability that human being has that “Socially Managed Death and Sexuality (subject suppressed by social system that Language generates)”, featuring limitation of his physicality by himself to educe indeterminacy because of his skepticism to himself’s aesthetic decision. It is the attempt to live modernistic spirit of which rationality is the condition in personal level, and to generate hyper-rationality through his rationality, besides acrimonious irony to Japanese collectivistic society, and to himself living in the society.<br />
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In this exhibition, as well as works improved their abstraction levels by stoic approach as above, a new painting series BLACK CORRECTION featuring elements and approaches which are antithetical to the other has contraposed. The series has elements taken from political and cultural history, also has trick to bizarrely let vulgarity and loftiness cohabit. The vulgarity is thing that Kikuchi has supperessed himself in rational process of making his works; according to an analogy of relations of the above mentioned “Language” and “Socially Managed Death and Sexuality”, it is equal to the latter. Therefore, this exhibition shows duality; his personal existence in society, and rationality and irrationality in himself.<br />
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In BLACK CORRECTION series, the interest in Language has expanded to semiotic issue, the issue about Sexuality has been treated only as symbol of vulgarly, which is designed to buried in other motifs. The title of the exhibition Super Processor is the symbol of connection of vulgarity and highly designed social system. In Japan, uncensored porn video is illegal. Super Processor is the name of fraud device which were sold in the past, touted as machine could unveil censored parts of videos.<br />
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In this exhibition, Kikuchi’s first installation work inspired by the device Super Processor has shown as the representation of stoically abstracted works. And as a metaphor of the original device’s alchemical business, his first sculpture has shown as the completely fabrication of the device.<br />
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Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-41729461603801994092018-02-05T23:51:00.004+09:002018-06-10T19:17:58.877+09:00Anla Courtis is Coming to Sendai Again For the First Time in Three YearsThe world's most active all round player in experimental music/sound art field, Anla Courtis is coming to here Sendai on 4th March, for the first time in three years. I have organized his show and made a flyer. I show you it.<br />
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The show will be held at a great record shop STORE15NOV, now the only shop which sells experimental stuffs in the city. The owner Aoyama sometimes plays, actually we Courtis, Aoyama, and I played improvisation twice. This time Courtis will play solo, as well as I do. <br />
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Along with the show, our collaborated recordings which have been done since 2010 will be released on Australian label Cipher Productions, as cassette tape housed in 6x6" bag. I made compositions with Courtis' materials with additional sounds of mine. You can see and get it just before the show.Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-4329109560424070172018-01-22T00:28:00.002+09:002018-01-22T00:29:29.004+09:00Interview on MutualArt.com<div class="separator" style="clear: both;">
My first public and international interview as a visual artist has been published on 12th January on <a href="http://mutualart.com/">MutualArt.com</a>. Visit <a href="https://www.mutualart.com/Article/Meet-the-Artist-Who-Transformed-His-Bedr/A43457DAE541DC30" target="_blank">here</a> and read. It's easier introduction of my activities. I feel honored they kindly have described me as Rising Star. Thank you MutualArt. </div>
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Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-22357514589603609802018-01-22T00:14:00.001+09:002018-01-22T00:19:10.060+09:00Live Recordings Split, a new release with Metasplice <div class="separator" style="clear: both;">
My new release a split tape with Philly experimental duo Metasplice is on sale.</div>
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My price is 12.00USD incl. shipping to worldwide. </div>
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If you are interested in, please contact me to:</div>
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info [ a t ] yoshihirokikuchi [ d o t ] org</div>
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If you are in the US, please contact Metasplice: </div>
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<a href="https://metasplice.bandcamp.com/">https://metasplice.bandcamp.com</a></div>
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You can get it more reasonable way.</div>
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I'm confident of the music. My side is the best live recording ever, played a long composition. Metasplice side is dope live recording too.</div>
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<br />Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-88952019331717041892017-09-03T23:44:00.002+09:002017-10-09T17:32:16.299+09:00Recent Shows and Upcoming Shows (Music)<div class="separator" style="clear: both;">
I just noticed that I never posted anything here since last December. I post this to give you a proof of that this blog is alive, that is, I am alive. </div>
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The next concert is 14th September 2017 in Sendai, with two guests from Philadelphia US, Desiccant and Embarker. </div>
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The other concerts' flyers are also below. I organized and coorganized the events for Horacio Pollard and Campbell Kneale as Our Love Will Destroy the World. The both were very precious experiences with intensely fun time. </div>
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<br />Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-29634391175577287622016-12-29T23:30:00.000+09:002016-12-29T23:39:00.112+09:00Podcast Streaming <div class="separator" style="clear: both; text-align: center;">
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I participated in a Podcast program <i>Notes From Chaos</i> which has been organized by a Greek noise artist Otomo Hava.<br />
My set consists of 3 sections. The 1st is my Live DJ mix recorded in 2014, 2nd and 3rd are my solo live recordings not DJ with computer(s), each sets were recorded in 2013 and 2016. The total duration is approx. 2 hours. You can hear to what I like to listen, and/or what I play as solo live act, and you will find some common aesthetics or something like that. Enjoy.<br />
<a href="https://www.mixcloud.com/Otomo_Hava/guests-from-chaos-31-yoshihiro-kikuchi/" style="color: #006cb5; font-family: Verdana, メイリオ, 'MS Pゴシック', 'MS ゴシック', 'Hiragino Kaku Gothic Pro', 'ヒラギノ角ゴ Pro W3', Meiryo, Osaka, Osaka-等幅, sans-serif; font-size: 14px; margin: 0px; padding: 0px; text-align: justify; text-decoration: none; word-break: normal; word-wrap: break-word;" target="_blank">https://www.mixcloud.com/Otomo_Hava/guests-from-chaos-31-yoshihiro-kikuchi/</a><br />
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<span style="font-size: x-small;">Track list from the DJ mix:</span><br />
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<span style="color: #bf9000; font-size: x-small;">●Khlyst - I (Chaos is My Name CD / Hydrahead / 2006)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Harley Gaber - I Saw My Mother Ascending Mount Fuji (excerpt) (I Saw My Mother Ascending Mount Fuji CD / Innova Recordings / 2010)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Striborg - Into Night Moor (Nocturnal Emissions/Nyctophobia CD / Displeased Records / 2003)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Tribes Of Neurot - Markandeya (Tribes Of Neurot LP / Neurot Recordings / 1997)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Monks Of The Monastery Of Gyuto, Tibet - Sangwa Duepa Buddhist Chant (V/A - JVC World Sounds Catalogue CD / JVC / 1990)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Jakob Ullmann – Voice, Books And FIRE 3 (excerpt) (Voice, Books And FIRE 3 CD / Edition RZ / 2008)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Thomas Brinkmann - 1000 (Klick CD / Max Ernst / 2000)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Emptyset - Fragment (Recur CD / Raster-Noton / 2013)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Ihan - Sans Titre A7 (Iota CD / Mille Plateaux / 2000)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Burzum - Móti Ragnarǫkum (Dauði Baldrs CD/LP / Misanthropy Records/Cymophane Records / 1997)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Hjuler - HJCV Grimmelhausen (Kommissar Hjuler & Mama Bar – Asylum Lunaticum CD / Intransitive Recordings / 2009)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Pleasurehorse - Filled With Condoms (Small Purse CD / Vermiform / 1999)</span><br />
<span style="color: #bf9000; font-size: x-small;">●CM Von Hausswolff - Atomium Phi (Leech CD / Raster-Noton / 2006)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Spectre - Heist (Parts Unknown LP / Quatermass/ 2000)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Muslimgauze - Mysore Cochin Bangalore (Iranair Inflight Magazine CD / Staalplaat / 2003)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Geronimo - Coyote (Geronimo CD / Three One G / 2007)</span><br />
<span style="color: #bf9000; font-size: x-small;">●Corrupted - Nadie (Nadie EP CD / Third Culture / 1995)</span><br />
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<span style="color: #f3f3f3; font-size: small; text-align: start;">Otomo Hava's discography:</span></div>
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Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-32677566561552050372016-12-02T20:42:00.002+09:002016-12-02T20:42:17.842+09:00New Work<span id="goog_7757633"></span><span id="goog_7757634"></span><br />
<a href="https://4.bp.blogspot.com/-FDDwFaGZalk/WEFdoOA3AXI/AAAAAAAAAfw/qn7UHP_wnhQ3ly7u7o8GRvsrIMrqsu6zQCLcB/s1600/blood002.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://4.bp.blogspot.com/-FDDwFaGZalk/WEFdoOA3AXI/AAAAAAAAAfw/qn7UHP_wnhQ3ly7u7o8GRvsrIMrqsu6zQCLcB/s320/blood002.jpg" width="298" /></a>A new work featuring my nosebleed and spit has been uploaded on my website.<br />
Visit <a href="http://yoshihirokikuchi.org/yk_works_BD.html" target="_blank">here</a>.Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-11640467881620246682016-10-25T19:22:00.002+09:002016-10-25T19:23:08.948+09:00Website UpdatedI updated my own website here:<br />
<a href="http://yoshihirokikuchi.org/">http://yoshihirokikuchi.org</a><br />
There are many photos of works with detailed descriptions.Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-89626627153583194692016-07-02T00:24:00.000+09:002016-07-02T00:36:02.933+09:00A New Solo Exhibition in Hong Kong<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-h2nngKgAK8w/V3aJaDogeSI/AAAAAAAAAeU/nTZVZdBLnmAITM3MKClX9DNoixexjX-9QCLcB/s1600/ES1_detail2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://4.bp.blogspot.com/-h2nngKgAK8w/V3aJaDogeSI/AAAAAAAAAeU/nTZVZdBLnmAITM3MKClX9DNoixexjX-9QCLcB/s400/ES1_detail2.jpg" width="400" /></a></div>
My new solo exhibition has started at <a href="http://www.aishonanzuka.com/" target="_blank">AISHONANZUKA</a> Hong Kong.<br />
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The title is: <b><i>Dldap/Enogo/Auxar/Dgaen</i></b><br />
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description about the title:<br />
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I want to negate humanity. It homologizes deconstructing the innate characteristic of human. It is also a way to deeply commit to Art that is the one of most rarefied concept human beings have. <br />
‘Death’ and ‘Sexuality’ are the innately biological reputations human beings has, same as other animals. However as for human beings, there are systems to locate them onto our society, or to hide them artfully from our society, then they are treated as taboos that is inimical things to rationality. The both ‘Death’ and ‘Sexuality’ are the same as antisocial things that jeopardize our social living dominated by labor, consists of essentiality of ‘Eroticism’ that is violent urge to break our sociality. <br />
Constructing of the social system that taboos and encroachments compete each other, is that human beings only has, the system are constructed by human’s rationality, there is absolutely Language on its origin. Stated from opposite direction, the most part of the indescribable sense, is the ‘Eroticism’. Then, what is the exception of it, indescribable but not related to Eroticism? <br />
In my current thoughts, ‘Death’ and ‘Sexuality’ exist biologically in human beings, they mean ‘End’ and ‘Start’, also the pleasure of sexuality leads to death, and vise versa. Between them ‘Death’ and ‘Sexuality’ there are activities by ‘Language’ that is an innate ability of human beings, as mechanism generates every institutions by rationality, exclude ‘Death’ and ‘Sexuality’ from social living. However, something that must be intelligence without describability, certainly exists inside of intelligent activities. That is the new theme ‘Doxa’. <br />
In this exhibition, I show works that are the results of dialectically competing the 4 human beings’ essential themes inside of myself. </div>
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Inside of myself individual, sounds trivial, but this has the important reason as follows: </div>
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We Japanese haven’t experienced ‘Modernism’ because the modernization in Japan had not enlightened Japanese masses. However, now Japanese people have misunderstood that they are living in ‘Post-modern’ era through the modernism, as well as the other Western countries. I want to criticize the wrong cognition to relive modernism personally with not only refer the Western standard. That will bring its relativization. This, personally reliving modernism with strong rationality, will relativizes the Western modernism, that is the thing I have intended. The most important condition for modernization was that every people's individually gaining rationality. And it has existed as premise of starting of Contemporary Art. My works have been made according to the spirit of Modernism, but also have directions to relativize it without blinded obeying. </div>
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However, they can be connected to contexts in the history of Western Contemporary Art. Notice they are just the results. I have never picked any ideas up from the existent history before starting to make works. After I made works, I find that they can link to the contexts, that proves their universalities. I do NOT have any simulations and appropriations. I confront I as a person represents the world. </div>
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<span style="font-family: "times"; font-size: 12px;">VISIT ALSO: </span><a href="http://yoshihirokikuchi.org/" style="font-family: times; font-size: 12px;" target="_blank">yoshihirokikuchi.org</a>Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-86428799834245375272016-04-03T17:16:00.001+09:002016-04-03T17:22:22.389+09:00ART COLOGNEMy works (2 pieces) are going to be showed at <a href="http://www.artcologne.com/" target="_blank">ART COLOGNE</a>.<br />
The works are from the same series I did at Autocenter Berlin in November 2015, entitled “Self-denial Practice (physical)”. They will be brought by Tokyo based gallery NANZUKA.<br />
It's my first time to participate in art fair in Europe.<br />
If you will be there, check and purchase mines! You can see photos of my other works on the gallery's tablet or computer. So you can purchase others after the fair finished.<br />
<br />Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-17976792068335833252016-01-17T01:39:00.003+09:002016-01-27T18:04:47.617+09:00VOCA 2016: An Exhibition With Problem I will participate in Japan's most influential (its strength is getting less though) competitive exhibition called VOCA which has 20 years history with the trustless committees, means it is an object of my skepticism by this fact: better artists lost awards and boring artists get them every year. So this exhibition has been targeted to be criticized often, because of the conservative aesthetics and the opaque governance.<br />
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My participation was nominated by a curator who is a friend of my friend. He and I have shared the critical attitude to VOCA and discussed many times and built our aesthetics to drop a farty/fart-ish bomb on it as an extreme criticism not as just a negation, because simply easy negation about the system will be assimilated by the system. So, my works which will be exhibited there are conceptually offensive (but funny), and have strong irony to the flower-brained aesthetics they (also including some artists) have, that is passable domestic only. As we intended, I lost the awards! I guess the committees can't understand completely what we did... HA! NICE!<br />
(But staff of VOCA are kind to the artists inconveniently... thank you)<br />
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Visit the website of <a href="http://www.ueno-mori.org/exhibitions/main/voca/2016/" target="_blank">VOCA 2016</a>. There are only Japanese that express eminently its conservativeness without international point of view... <br />
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Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-83802402503534586352016-01-03T02:54:00.000+09:002016-01-03T02:55:21.716+09:00yoshihirokikuchi.orgMADE MY WEBSITE, JUMP TO AND CHECK THIS <a href="http://yoshihirokikuchi.org/" target="_blank">LINK</a>:<br />
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I will upload more detailed information with pictures soon.Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-47897270330243292232015-11-13T11:20:00.004+09:002015-11-13T11:49:06.872+09:00Solo Exhibition + Open Studio at Autocenter Berlin <div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-VADQZNJMG9g/VkVIqcMOlbI/AAAAAAAAAas/Bjmn1N_L-TQ/s1600/11796359_10203286086831982_6931178699904506025_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-VADQZNJMG9g/VkVIqcMOlbI/AAAAAAAAAas/Bjmn1N_L-TQ/s320/11796359_10203286086831982_6931178699904506025_n.jpg" width="225" /></a></div>
I am staying in Berlin now for residency work. The exhibition has started last week on 6th November.<br />
It started clean but now there are chaos of trashy stuffs as materials. I got many junk stuffs at flea markets.<br />
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I described about this exhibition like this (you can get a copy at my exhibition room):<br />
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Yoshihiro KIKUCHI </div>
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<i>Solo Exhibition + Open Studio</i> at Autocenter Berlin, Nov 6 - 28, 2015<span style="font-size: 11px; line-height: normal;"> </span></div>
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<b>Statement (in one sentence) :</b></div>
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<b><i>“I DETEST HUMAN, THUS I NEGATE HUMANITY”</i></b></div>
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<b>Detailed Decription:</b></div>
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Kikuchi’s works spreading out various styles* such as drawing, collage, painting and installation have been principally made on the following concepts/definitions:</div>
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<li style="font-family: 'Times New Roman'; font-size: 11px; line-height: normal; margin: 0px;"><b><i>A posteriori disorganization of a traditional pan-language value system with reference to linguistic theories (by extension, extraction of a universal common structure in linguistic phenomena, and its deconstruction).</i></b></li>
<li style="font-family: 'Times New Roman'; font-size: 11px; line-height: normal; margin: 0px;"><b><i>Interposition/interference of ‘Eroticism’ to 1).</i></b></li>
<li style="font-family: 'Times New Roman'; font-size: 11px; line-height: normal; margin: 0px;"><b><i>Applying ‘indeterminacy/contingency’ to 1) and 2).</i></b></li>
<li style="font-family: 'Times New Roman'; font-size: 11px; line-height: normal; margin: 0px;"><b><i>Elimination of direct physicality, and reconstruction/extension of indirect physicality in actions of 1), 2) and 3).</i></b></li>
<li style="font-family: 'Times New Roman'; font-size: 11px; line-height: normal; margin: 0px;"><b><i>Observation and fundamental re-examination of societal institution through 1), 2), 3) and 4).</i></b></li>
<li style="font-family: 'Times New Roman'; font-size: 11px; line-height: normal; margin: 0px;"><b><i><span class="Apple-tab-span" style="white-space: pre;"> </span>6) Negation of humanity derived from 1), 2), 3), 4) and 5).</i></b></li>
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Stated differently, these are intended to deconstruct values in social institutions (defined as classes of language issues) and institutional coverups (defined as classes of non-language issues which consist of eroticism and violence et cetera). He defines these subjects to deconstruct as the mankind's innate matters. Besides, the deconstruction has aims to deny the existing value of humanity. </div>
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Now the works via this way of conceptual setting and expression, can be related on various contemporary art contexts in term of ‘modernism’**, but they are created with literal making processes as new criticism which would throw out the contexts to further relativizing through his inner nihilism. The processes completing with bringing in indeterminacy of automatism, random digits, and the foregoing physical elimination/extension, are due to skepticism toward trivialized personal aesthetic decision. Moreover, hopefully those works will construct radically-new linguistic structure.</div>
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*various styles - he also has music activities of experimental music as solo and has many international collaborated works. Besides, a drummer in some bands. </div>
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**modernism - however, Kikuchi knows that Japanese have never experienced modernism, that is, there is no post-modernism in Japan. It's ironically Japan's exclusive historical characteristic. This is Japan’s cultural (also political) illness that should be resolved urgently. The anarchic variations of his expression has come from the reasons as no-axis of historical and national context in a way.<span style="font-family: "helvetica"; line-height: normal;"> </span><br />
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ABOVE CONCEPTUAL DEFINITIONS<br />
ARE <b><span style="color: red;">NOT</span></b> RELATED TO THE WORKS<br />
IN THIS EXHIBITION<br />
THAT IS</div>
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<b><span style="color: red;">SELF-DENIAL PRACTICE</span></b></div>
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You can check the more detailed information on below links:<br />
http://www.aishomiura.com/yk_autocenter.html<br />
http://www.autocenter-art.deYoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-24702466426760481592015-07-04T15:37:00.004+09:002015-07-04T16:13:28.545+09:00"PROCESS", My First Showing As A Visual Artist In Europe<div class="separator" style="clear: both; text-align: center;">
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<a href="http://3.bp.blogspot.com/-0k4Xj7bidPk/VZd_1niA-KI/AAAAAAAAAX8/20C5Qxuwzk4/s1600/process_trim.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="80" src="http://3.bp.blogspot.com/-0k4Xj7bidPk/VZd_1niA-KI/AAAAAAAAAX8/20C5Qxuwzk4/s400/process_trim.png" width="400" /></a></div>
<a href="http://3.bp.blogspot.com/-GUw0HcR-Y84/VZd-ZF6oblI/AAAAAAAAAX0/mPlSZNQIPl4/s1600/GL_ABC_021.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-GUw0HcR-Y84/VZd-ZF6oblI/AAAAAAAAAX0/mPlSZNQIPl4/s320/GL_ABC_021.jpg" width="227" /></a><br />
<span style="font-family: Times, 'Times New Roman', serif;">A new group exhibition in Asturias Spain is going to start next week, on 10th July, and will end on 21st august. </span><br />
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<span style="font-family: Times, Times New Roman, serif;">I will partiate in it with my latest series of work called "Grammatical Luxation" that I made last year, by using Japanese old porn novel. I tried deconstruct and reconstruct meta-structure of the original sentences through the strictly defined processes. The series has 7 sets that have 81 sheets each. This time, the 1/7 will be showed there. The work made through processes is the most important keyword on this exhibition as you already know. The curator Jaime Rguez defines it in unusual word <i>"processual"</i>. </span><br />
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<span style="font-family: Times, Times New Roman, serif;">Please visit the website of the exhibition <a href="http://www.kaosart.org/PROCESS/home.html" target="_blank">here</a>.</span><br />
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<span style="font-family: Times, Times New Roman, serif;">Unfortunately, there is Spanish only but I put the introduction in English from the press release I got before: </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>The very creation of the artwork and, ultimately, every step occurred in the process of</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>creative genesis and by inserting work into space and its relationship with the rest of</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>the pieces on display, add and enrich the proposals that finally the viewer perceives.</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>This issue focuses this exhibition project in collaboration: a great hybrid installation</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>on which coexist various issues and where abundant use of new technologies and the</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>interaction of a large number of plastic, sound, textual, audiovisual disciplines as well</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>as the low and the high tech.</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>Process authors of the members come from different geographies and interests, but</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>surprised to find multiple links between them. So, from our most immediate</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>environment we find parts Emma Bi, Nel Caamaño, Virginia López, Benjamín</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>Menéndez, César Naves, self Jaime Rodríguez and his work in collaboration with</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>Mind Revolution (Eugenia Tejón & Angel González) and uh513 (María Castellanos</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>& Alberto Valverde). Meanwhile the national circuit, come Julio Mediavilla, Jesus</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>Nido and Eugenio Rivas. Finally, form the international representation the Brazilian</i></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>artist Marcelo de Melo and the Japanese artist Yoshihiro Kikuchi. </i></span></blockquote>
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<span style="font-family: Times, 'Times New Roman', serif;">Anyways, I feel an honor to be involved to this. Thank you Jaime Rguez for inviting me and giving a great opportunity. </span><br />
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<span style="font-family: Times, 'Times New Roman', serif;">The above logo design by Jaime Rguez. </span><br />
<br />Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-44517252482379668962015-07-03T23:33:00.001+09:002015-07-04T02:06:40.702+09:00New Tape with Vomir from GERÄUSCHMANUFAKTUR. <div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-YoeWzb4LwE0/VZaZ-az_VKI/AAAAAAAAAXQ/xZWMnX9fA24/s1600/10011_1431714056_l.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="http://4.bp.blogspot.com/-YoeWzb4LwE0/VZaZ-az_VKI/AAAAAAAAAXQ/xZWMnX9fA24/s400/10011_1431714056_l.jpg" width="400" /></a></div>
<span style="font-family: Times, Times New Roman, serif;">A new tape made with French noise artist Vomir who is a godfather of "harsh noise wall" has been released on german label Geraeuschmanufaktur. I also made other collaboration with him in the past, as a drummer on his materials (Then, he did it as his another name Roro Perrot, a ultra shit folk singer). You can see the 7 inch record on his <a href="https://roroperrot.bandcamp.com/album/roromantique" target="_blank">bandcamp</a>. It's titled "ROROMANTIQUE". My freaky drumming is featured throughout side B. </span><br />
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This time, I programmed 2 beats by being inspired by extreme metal. Side A features death metal-ish downtempo double kick. And side B has black metal-ish blast beats. They has atmosphere like dark dub mix. The both sides have unchangeable "static" noise that are over 19 minutes straight each. It can be said ritualistic trance. You should be soaked into the sonic pool in maximum volume.</span><br />
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<span style="font-family: Times, Times New Roman, serif;">You can hear the sounds and can get the album digitally <a href="https://roroperrot.bandcamp.com/album/roromantique" target="_blank">HERE</a>, the physical tape as well.</span>Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-82272075674663874052014-03-05T02:44:00.002+09:002015-01-08T20:40:19.962+09:00A short description about my recent art works<div>
I wrote this description afresh for English profile as an artist by organizing and translating some Japanese texts I wrote etc. </div>
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<span style="color: #cfe2f3;">Kikuchi’s works spreading out various styles* such as drawing, collage, painting and installation have been principally made on the following concepts:</span></div>
<div>
<br />
<ol>
<li><span style="color: #e06666;"> a posteriori disorganization of traditional pan-language system by reference of linguistic theory (by extension, extraction of universal common structure in language phenomena, and its deconstruction).</span></li>
<li><span style="color: #e06666;"> ‘eroticism’ into (1) as interposition/interference.</span></li>
<li><span style="color: #e06666;"> applying ‘indeterminacy’ to (1) and (2). </span></li>
<li><span style="color: #e06666;"> elimination of own direct physicality, and extension of the indirect physicality on actions in (1), (2), and (3). </span></li>
<li><span style="color: #e06666;"> observation and fundamental re-examination of social institution by (1), (2), (3), and (4). </span></li>
</ol>
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<span style="color: #cfe2f3;">Stated differently, these are intended to deconstruct values in social institutions (defined as classes of language issues) and institutional coverups (defined as classes of non-language issues which consist of eroticism and violence et cetera). He defines these subjects to deconstruct as the mankind's innate matters. </span></div>
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<span style="color: #cfe2f3;">Now the works via this way of conceptual setting and expression, can be related to various contemporary art contexts in terms of 'modernism**’, but they are created with literal making processes as new criticism which would throw out the contexts to further relativizing through his inner nihilism. The processes completing with bringing in indeterminacy of automatism, random digits, and the foregoing physical elimination/extension, are due to skepticism toward trivialized personal aesthetic decision. Moreover, hopefully those works will construct radically-new linguistic structure.</span></div>
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<span style="color: #8e7cc3; font-size: x-small;">*various styles - In addition, he has music activities in experimental music scene as solo and international collaborated works.<span style="font-family: Helvetica;"> </span></span></div>
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<span style="color: #8e7cc3; font-size: x-small;"><br /></span></div>
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<span style="color: #8e7cc3; font-size: x-small;">**modernism - However, Kikuchi knows that Japanese have never experienced modernism, thus there is no post-modernism in this country. It's ironically Japan's exclusive historical characteristic. This is Japan’s cultural (also political) illness that should be resolved urgently. The anarchic variations of his expression has come from the reason in a way.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">///////////////////////////////////////////////////////////////////</span><span style="font-family: Times, 'Times New Roman', serif;">//////////////////////////////////</span><span style="font-family: Times, 'Times New Roman', serif;">////////////</span></div>
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Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-58997813070423616922013-02-02T16:33:00.001+09:002014-07-29T23:03:40.757+09:00My new art book "No-title" has published in 2012<div class="separator" style="clear: both; text-align: center;">
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<a href="http://2.bp.blogspot.com/-ukESYGPnKNo/UQzmqlFf6YI/AAAAAAAAAUY/2K5yt1WLSFE/s1600/bookfix.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-ukESYGPnKNo/UQzmqlFf6YI/AAAAAAAAAUY/2K5yt1WLSFE/s320/bookfix.png" height="320" width="223" /></a></div>
My new art book <i>"No-Title"</i> - exactly it has the title with mathematical formula. But it's difficult to display... - has been published on a Tokyo based independent publisher called <a href="http://sales.tycoonbooks.net/no-title-by-Yoshihiro-Kikuchi" target="_blank">Tycoon Books</a>, in edition of 150 copies as first pressing.</div>
<div>
The book consists of my art works which were made in 2006 - 2012. It means this is my first grand sum as an artist. I'm proud of this publishing though its small edition. All copies are hand numbered and signed by myself.<br />
<div>
You can buy a copy from the publisher's website or me directly. Send me an email(address is on my profile section. Click "CONTACT") if you are interested. Or you can buy on the publisher website. Visit the publisher's site from the above link and see the sample photos on there. It's very very well-designed! </div>
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<span style="text-align: left;">Detailed information:</span><br />
<div style="text-align: left;">
A5(148mmx210mm) | 40 pages + cover | Full color digital print </div>
<div style="text-align: left;">
First edition of 150 copies, 2012 | ISBN 978-4-9906628-0-6</div>
</div>
Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-492853086900302262012-10-07T09:16:00.003+09:002016-01-03T06:20:02.349+09:00Featured on the French online magazine<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-XCRTJfFTvTQ/UHDJSOa18DI/AAAAAAAAATc/0JbkVUn-fjA/s1600/ForBlogPhoto.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-XCRTJfFTvTQ/UHDJSOa18DI/AAAAAAAAATc/0JbkVUn-fjA/s320/ForBlogPhoto.tiff" width="237" /></a></div>
My latest C26 cassette tape "One Intensely Eats Up Another Economic Principle" released on <a href="http://fragmentfactory.com/" target="_blank">Fragment Factory</a>, is featured on the French online magazine "<a href="http://grisli.canalblog.com/archives/2012/10/06/25256609.html" target="_blank">le son du grisli</a>". On the same section, there are really great releases of Daniel Menche, GX Juppiter Larsen/Muennich (this 7" is also released Fragment Factory ), and one of most talented Japanese musicians Keiichi Sugimoto's Filfra. Filfla has very sensitive and beautiful sound layers with beats. So to be featured my music with his on the same section is surprising but really nice for me. That's simply great, the editor did cool, though the description about my tape is totally bizarre. The reviewer should listen the sound with reading text by me carefully.<br />
<br />
<span style="font-size: small;">The review with strange words is the following:</span><br />
<br />
<span style="font-size: small;"><i><span style="color: #837038;"><b>Yoshihiro Kikuchi</b> : One Intensely Eats Up Another Economic Principle (K7 <span style="color: #aa1414;"><a href="http://www.fragmentfactory.com/frag21.html" target="_blank"><span style="color: #aa1414;">Fragment Factory</span></a></span>, 2012)</span></i></span><br />
<span style="font-size: small;"><i>Voilà bien deux faces qui ne se ressemblent pas. Sur la première, <b>Yoshihiro Kikuchi</b>
jongle avec des bruits sur la cadence d’une machine grippée qui crache
mais qui envoie… le bois. Sur la deuxième, la fantaisie perd de
l'intérêt avant qu’une guitare (enfin ! une guitare !) et des reverses
s’épousent, garces, avec une vraie grâce. Je conseille donc une
cassette, mais la cassette est déjà épuisée. (pc)</i></span>Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-8173163556455384352012-09-14T18:27:00.001+09:002012-09-24T22:59:42.906+09:00New exhibition has started<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/--JM_9M-e5FU/UFLveqFHfQI/AAAAAAAAATM/7rSfc9HEsi0/s1600/NLIIC_Diagram001.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="140" src="http://3.bp.blogspot.com/--JM_9M-e5FU/UFLveqFHfQI/AAAAAAAAATM/7rSfc9HEsi0/s200/NLIIC_Diagram001.jpg" width="200" /></a></div>
My new solo exhibition started from September 1st at <a href="http://www.aishomiura.com/kikuchi2012.html" target="_blank">AISHO MIURA ARTS</a> in Shibuya/Tokyo. It will have been held for a month, until September 30th. <br />
The title is<i> "Nullized Layers Inside The Institutional Coverups 1</i>". <br />
I show you the diagram of my thought about the title. <br />
The large "INSTITUTE" and "LANGUAGE" are indicated as general idea I think. They the abstractions are defined each other, it means the one can't exist without another. LANGUAGE makes INSTITUTION and INSTITUTION enlarge the LANGUAGE functions. The small typed "languages" and "institutions" mean individual languages and institutions that are in largest classes written with large letters. Besides, coverups mean zillion hidden matters in the individual 'concrete' languages = institutions. And 'Nullize' means attempts to take the meaning/values off from original contexts to deconstruct the individual institutions and finally the largest INSTITUTION through the attempts posteriori. <br />
<span style="font-family: inherit;">I</span><span style="font-family: inherit;"> set the my these thoughts as an above (see photo) mathematical formula briefly. <br />And I wrote a statement for this time exhibition. </span><i style="font-family: inherit;"><br /> </i><br />
<i style="font-family: inherit;">The statement is: </i><br />
<i style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span class="min" style="font-family: inherit;">In recent years, I have defined my creative activities
as deconstruction of various coverup matters which are inside
INSTITUTION , in other words reason = phenomena threatening public order
that are ensured by LANGUAGE activities (for instance, erotic behaviors
and violent desires) and with observing de-mean-ization elicited from
it, will explore the limit and possibilities of dismantlement of our
reasonable order (which means, to predicate the both sides of the
limitation -between reasonable and unreasonable fields-) and attempt in
stages to slip new values into the structure in multilayer, which value
has deprived.</span><br style="font-family: inherit;" /><span class="min" style="font-family: inherit;">In this exhibition, as the previous step of these
attempts, to predicate the value of languages, I will observe denial
functions of the adjacent or opponent intellections with criterial
arbitrary denotation (segment of languages and its value and display) in
a new series of works of “Painted Negativity” which I employed a format
of painting as one of a method.</span></i><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span class="min" style="font-family: inherit;"> </span></span><br />
<br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span class="min" style="font-family: inherit;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I have an one more great news. My new art book under the title the same title that is above formula (it's not able to write here...) has been published on an independent publisher called Tycoon Books. </span></span></span><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"></span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">You can see and purchase it on here the <a href="http://sales.tycoonbooks.net/#no-title-by-Yoshihiro-Kikuchi" target="_blank">TYCOON BOOKS</a> website. The displayed title "no-title" is simply for convenience for the same reason. </span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I don't have the photos of the book, but it's amazingly well designed! 42 color pages with special cover that is folded large poster printed with silver ink! The cover has the English text I wrote on the second surface. </span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I signed and numbered all copies of first edition of 150.</span><i style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></i>
Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-63839037652371064392012-05-17T18:21:00.001+09:002014-07-29T23:00:19.485+09:00Got a new reviewThe one of my latest cassette tape releases got a new (it's far nicer than the last one...) review, on the blog called "Dead Formats".<br />
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There are huge amount of reviews of multi-audio formats - cassette tapes, vinyls, CDs, DVDs, and VHS. The reviewer writes brief but precise reviews. And the reviewer says that he(she?) would buy or not at last of the reviews. I found he runs small label "Dead Accents" in Seattle. Looks very nice label. I guess he says that he would buy or not from his perspective as a label owner. Concerning my tape "One Intensely Another Economic Principle", he says YES! Also he says the number of edition of 66 is not enough! Really great to read it! SO NICE!!! He says my tape has worth to be listened by more people!<br />
<br />
Read the review here:<br />
<a href="http://devdformats.blogspot.de/2012/05/yoshihiro-kikuchi-one-intensely-eats-up.html" target="_blank">http://devdformats.blogspot.de/2012/05/yoshihiro-kikuchi-one-intensely-eats-up.html</a><br />
<br />
And visit the label Dead Acccents' webshop here:<br />
<a href="http://deadaccents.bigcartel.com/" target="_blank">http://deadaccents.bigcartel.com/</a><br />
<br />Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-38745969646230654512012-03-22T00:45:00.010+09:002014-07-29T23:03:02.131+09:00The 2 cassette tapes photos and detailed infosHere are the scanned pictures of the 2 cassette tape I mentioned last post. <br />
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<span style="font-weight: bold;">BRYAN LEWIS SAUNDERS / Stream of Unconscious Vol.5 (cassette tape w/ 21page booklet)</span><br />
<a href="http://2.bp.blogspot.com/-0frgbnLHKRg/T2n--2nPwDI/AAAAAAAAARQ/EMtDjaAa2Ss/s1600/BLS_vol5001.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://2.bp.blogspot.com/-0frgbnLHKRg/T2n--2nPwDI/AAAAAAAAARQ/EMtDjaAa2Ss/s400/BLS_vol5001.jpg" id="BLOGGER_PHOTO_ID_5722385157316395058" style="cursor: pointer; float: left; height: 286px; margin: 0pt 10px 10px 0pt; width: 400px;" /></a><br />
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SUT-13.5<br />
Ltd. Ed. C90 Chrome Cassette<br />
Published by: Stand-Up Tragedy Records<br />
Vocals by Bryan Lewis Saunders <br />
Music by Yoshihiro Kikuchi & Christopher Fleeger <br />
Art and Design by Alice Salyer <br />
Edition of 80 <br />
Comes with 21 page booklet of text<br />
1 - Yoshihiro Kikuchi "White Surrealist Nihilismus" - 44:45<br />
2 - Christopher Fleeger "Revenge of the Dolphins" - 44:06<br />
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<span style="font-weight: bold;">YOSHIHIRO KIKUCHI / One Intensely Eats Up Another Economic Principle (cassette tape)</span><br />
<a href="http://1.bp.blogspot.com/-xFrRlCLpFRA/T2n_LyKa8HI/AAAAAAAAARc/bpOsY1It2Zs/s1600/YK_FF001.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://1.bp.blogspot.com/-xFrRlCLpFRA/T2n_LyKa8HI/AAAAAAAAARc/bpOsY1It2Zs/s400/YK_FF001.jpg" id="BLOGGER_PHOTO_ID_5722385379460051058" style="cursor: pointer; float: left; height: 281px; margin: 0pt 10px 10px 0pt; width: 400px;" /></a><br />
<br />
----------------------------------- <br />
[FRAG21]<br />
Ltd. Ed. C26 Cassette tape<br />
Published by: FRAGMENT FACTORY<br />
Edition of 66 <br />
A1 - Past Age Healing Hair Saloon - 7:38 <br />
A2 - Demons Calculation - 5:13 <br />
B1 - Underwear Passion - 7:38 <br />
B2 - Kids Land Parking Off - 5:04<br />
---------------------------------------------<br />
<br />
This tape got a strange review on Vital Weekly 823. The reviewer wrote self-considered observation about the concept I set and how I made, referred my liner note inside the sleeve. It's really strange text that is referring computer science including numerical matters like bit calculations, philosophy, and music criticism's boundary? They the topics are a bit deviated. Again, it's strange, but simply interesting in a viewpoint of like watching concrete poetry. So, we can also decipher it into like "dadaistic" letters construction.<br />
<br />
Read/watch the following dadaistic letters:<br />
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<span style="font-style: italic;">"Kikuchi’s recordings were made in response to glitches and errors in software on an Apple computer in reading or converting between audio stored in .WAV format and .AIFF format, the two being (almost) the standard audio file format for Microsoft and Apple respectively. Kikuchi doesn’t say which software or precisely the actual details of the files, for both formats can store sound in various sample rates and formats. Details of these are found in the files (header) from which software can detect the number of channels, sample rate and sample size. This is a labyrinthine world of technical and so techie delight, but one with both philosophy, metaphysics, and surreal<br />humor. For instance a likely source of the error could be Apple’s changing its format from big-endian to little-endian. In simple terms which end of an address (here its data I know) is the most important. So yourname@hotmail.com is little-end (ian) because you are smaller than hotmail, or wonderfully child’s myname, my street, my town, my country, the world, the solar system , the galaxy the universe. Compare that to the Big endian 1,000,000 – where the 1 is Big, though wiki says that in big endian the first byte, lowest in address is the biggest, and gives Arabic numerals as an example, because I assume 1,000,000 is where we address memory 1,2,3,4,5,6,7, so 1 is in position 1, this is confusing because one might assume the end is position 7 and not 1. The article goes on to explain this has caused bugs!* And just before anyone goes completely insane, the terms little and big endian – wait for it- come from Gulliver’s travels where the two nations (Lilliput and Blefuscu) go to war over which end of the egg goes into the egg cup, the big end or little, or is it which end sticks up… I think I should get back to the review but with Kikuchi’s help I’ve established that the world of so called logic and computer science is far more otiose - ontologically (love it!) than anything those French post-modernists could dream up – well, maybe not, but certainly someone is giving someone a run for their money. *For my part rather than “think” I tend to try each end (when programming!) and listen to the result, see I’m an Englishman and at heart an empiricist, even if I try my hardest I cant go metaphysical for love or money. Perhaps the Japanese share the English sense of empiricism, Gulliver was you see written by an Irishman, as was Finnegan’s wake, though I’m enamored of Deleuze’s transcendental (or is it transcendent- :-) Ha! There’s a BIG difference ….. empiricism…. And so infinite virtualities… but empirically an audio sample (which is a two byte signed integer) say +303 would be stored as 2F 01, or 47 256 (2F is hex 2x16 + 15) or 0101111 00000001 which is 47 + 256 = 303. The 2F is the least significant byte, the 01 the most significant… in binary 1,2,4,8,16,32,64,128 in the first byte 256,512,1024… in the second byte, so 1 x 256 (from the second byte) + 32+8+4+2+1 = 47 (from the first) = 256 + 47 = 303 so empirically we know that if 303 is stored as 2F 01 then the system is using little endian. Obviously we need to know a priori that our number is 303, then the endian format becomes obvious or “visible”, tangible and no more a theoretic object. And this is no more irrelevant than a review of classical music which uses such terms as C sharp, as in “what does C sharp sound like?” – what does this cassette sound like, sounds like a possible endian conversion error in PCM data. And as such a review exceeds any subjective impression in giving an empirical fact, representation of the work, could then be criticized as, and this is true, saying nothing at all, but being a mere doubling, as if I am nothing more than a cassette recorder. Surly (even) any realist can see a mistake here? (jliat)" </span>Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-78941744650552315472012-02-24T18:34:00.012+09:002014-07-31T13:17:53.614+09:002 cassette releases available nowMy new releases are available now in cassette tape format. I love the format because of the objective existence and the physical structure consists of plastic box and cassette with various colors and variable sleeves. <br />
<br />
One is from the series called "Stream of Unconscious" of a conceptual artist Bryan Lewis Saunders. The series has been composed from total 24 musicians/sound makers' split 12 volumes of cassette tapes that has been made with Bryan's sleeping words. But please note that's not only just sleep talking. They have all concrete concepts and context. I think that's really amazing matter! <br />
Mine has come out as Vol.5 split with Christopher Fleeger's "Revenge of the Dolphins". The title of my side is "White Surrealist Nihilismus". Each sides have 45 minutes = C90. I believe the 90 minutes time brings you the special listening experience! And the cassette have 21 page booklet of text. You can read what he says in the text. <br />
<br />
Please visit his website and read his descriptions, besides the other participated artists. <br />
<span style="font-weight: bold;"><a href="http://bryanlewissaunders.org/weblog/2011/aug/12/Sleep-Works/"> BRYAN LEWIS SAUNDERS "SLEEP WORKS" </a></span> <br />
<br />
The another is released on Fragment Factory that is really important label for me. because this label releases my first solo in 2010. Though it's very small edition 50 copies, I'm proud the release. This time, the new solo release is as C26 with title "One Intensely Eats Up Another Economic Principle". <br />
This cassette have unique artworks, I made the printed sheets for sleeves that have unique bleeding with my painting method without hands. And they are all signed. I think it's the evidence of no same sheets. It is finally available on the label in the edition of 66 copies. I signed them all in Friday of January 13. Let's add 6 to hail Satan... In addition, the sleeve is not only the signed sheets, it has transparent j-card printed title and my description about making process and some credit.<br />
<br />
You can order on the label <span style="font-weight: bold;"><a href="http://fragmentfactory.com/"> FRAGMENT FACTORY </a></span>. <br />
Click the 'Releases' and then click again [FRAG21]. I'm really satisfied this release with new trial in artworks. <br />
<br />
By the way, I don't upload the both artwork images here at this moment because I don't want like to put the same images from others website anymore. After I received the copies, I will take photos and upload here. You can see them on the links now! Thank you for understanding!Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-77409902820725760052011-11-13T11:01:00.012+09:002016-11-17T21:11:21.197+09:00Phamafabrik Recordings V4 arrived<a href="http://1.bp.blogspot.com/-Lx6KLJrnrwk/Tr8tUzvMvvI/AAAAAAAAAP0/knRbwZRNJKU/s1600/IMGP0105.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5674303891018923762" src="https://1.bp.blogspot.com/-Lx6KLJrnrwk/Tr8tUzvMvvI/AAAAAAAAAP0/knRbwZRNJKU/s400/IMGP0105.JPG" style="cursor: hand; cursor: pointer; float: left; height: 300px; margin: 0 10px 10px 0; width: 400px;" /></a><br />
The one of my recent sound contributions for the Slovenia based label <span style="font-weight: bold;"><a href="http://www.pharmafabrik.com/"> Pharmafabrik Recordings </a></span>' label sampler titled "Fabriksampler V4" was arrived yesterday! The album is 2xCD edition separated in noisy side and ambient side. <br />
It has really dense and rich content in wide variety of electronic music that is not only abstract and experimental avant sounds but consists of more musical elements. I feel awesome electronic noise to experimental electronica like composition from the disc 1. Disc 2 has more calm and sensitive ambient or drone tracks. Both discs are really really high quality. So, I highly recommend many people to buy and listen to the album! Also when you get the album, you can see the very very well-designed inner sleeve! <br />
<br />
Go to the label and buy it!(click the "fb v4" on the left list, to jump the album page). And read the short biography of individual artists! <br />
<span style="font-weight: bold;"><a href="http://www.pharmafabrik.com/"> PHARMAFABRIK RECORDINGS </a></span><br />
<br />
- The introductions from the label website - <br />
The compilation album features exclusive tracks from KK Null (Japan), Neven M. Agalma (Slovenia), Pharmakustik (Germany), Yoshihiro Kikuchi (Japan), Franck Vigroux (France), Nova deViator (Slovenia), Chris Wood (South Africa), Mutant Beatniks (UK), Vega Stereo (Russia), NRYY (Japan), Velge Naturlig (Portugal), Astma (Russia), Analog Concept (Russia), Fabio Orsi (Italy), Cezary Gapik (Poland), Prodvkt (Italy), Mike Browning (USA), Audioworx (Slovenia) and MaCu (Austria).<br />
<br />
-track list-<br />
disk 1:<br />
01 KK Null - Metamorphosis de Toki<br />
02 Neven M. Agalma - Treget<br />
03 Pharmakustik - Distraktion C<br />
04 Yoshihiro Kikuchi - Waves Of Vermiform<br />
05 Franck Vigroux - Camera<br />
06 Nova deViator - They Give Us Body<br />
07 Chris Wood - `G._-^..: : Dr::ne<br />
08 Mutant Beatniks - Whiteout !!!<br />
09 Vega Stereo - Morning<br />
10 NRYY - Sneaker Blues<br />
<br />
disk 2:<br />
11 Velge Naturlig - Transmortorium<br />
12 Astma - IgE<br />
13 Analog Concept - Aliens Love This Melody<br />
14 Fabio Orsi - One's Own Eyes<br />
15 Cezary Gapik - #0466<br />
16 Prodvkt - Gamma Idroxibutrato<br />
17 Mike Browning - Phantom Space<br />
18 Audioworx - Karmadrone<br />
19 MaCu - K.c.C<br />
20 Untitled - Matrix§44¹<br />
<br />
They are all great, though in fact there are the artists I hadn't known, but quality is assured!!!!<br />
Special thanks to Simon of the label. I'm proud of that I could participated in such an great comp!!!!Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0tag:blogger.com,1999:blog-1110108380204493188.post-71323439060527881122011-06-04T00:43:00.003+09:002014-07-29T23:05:51.717+09:00I'm listed as TOP 20 ARTIST on the radio program!My name is listed as Top 20 artists on US local FM radio program called The Chestnut Tree!!! I'm really honored that I can be there with other great artists! The Chestnut Tree program assemblages radical sound stuffs focus the specific aspects of sounds. For instance sound collage, abstract spoken word, field recordings, Dadaist audio, adverse music therapy, musique concrete, electronic and local music.<br />
<br />
<span style="font-weight: bold;"><a href="http://radiochestnut.org/top-20"> The Chestnut Tree - TOP 20 - </a></span><br />
<br />
If you are in Texas area of US, you can listen to the program via radio on Tuesdays from 2:00 to 5:00 AM with tuning in those:<br />
<br />
90.1 FM in Houston<br />
89.5 FM in Galveston<br />
89.7 FM in Huntsville<br />
<br />
Also in other area and countries, you can listen with streaming! The detailed information is on the following website:<br />
<span style="font-weight: bold;"><a href="http://radiochestnut.org/listen"> The Chestnut Tree - LISTEN - </a></span><br />
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THANKS Ayn of The Chestnut Tree!!!!Yoshihiro Kikuchihttp://www.blogger.com/profile/12916120711498645554noreply@blogger.com0